{"id":4300,"date":"2020-12-14T10:21:13","date_gmt":"2020-12-14T10:21:13","guid":{"rendered":"http:\/\/www.julianwild.com\/?page_id=4300"},"modified":"2023-02-01T11:59:59","modified_gmt":"2023-02-01T11:59:59","slug":"cv","status":"publish","type":"page","link":"https:\/\/julianwild.com\/cv\/","title":{"rendered":"CV"},"content":{"rendered":"<div  class=\"tatsu-hao89d4mrp2sbr47 tatsu-section  tatsu-bg-overlay   tatsu-clearfix\" data-title=\"\"  data-headerscheme=\"background--dark\"><div class='tatsu-section-pad clearfix' data-padding='{\"d\":\"90px 0px 90px 0px\"}' data-padding-top='90px'><div class=\"tatsu-row-wrap  tatsu-wrap tatsu-row-one-col tatsu-row-has-one-cols tatsu-medium-gutter tatsu-reg-cols  tatsu-clearfix tatsu-hao89d4mu3crower\" ><div  class=\"tatsu-row \" ><div  class=\"tatsu-column  tatsu-bg-overlay tatsu-one-col tatsu-column-image-none tatsu-column-effect-none  tatsu-hao89d4mxp7q6pxa\"  data-parallax-speed=\"0\" style=\"\"><div class=\"tatsu-column-inner \" ><div class=\"tatsu-column-pad-wrap\"><div class=\"tatsu-column-pad\" ><div  class=\"tatsu-module tatsu-text-block-wrap tatsu-hao89d4n16amrsem  \"><div class=\"tatsu-text-inner tatsu-align-center  clearfix\" ><style>.tatsu-hao89d4n16amrsem.tatsu-text-block-wrap .tatsu-text-inner{width: 100%;text-align: left;}<\/style><p><\/p>\n<p><a>2017-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sculpture Program leader at The Art Academy London.<\/a><\/p>\n<p><\/p>\n<p><\/p>\n<p>2015-19 Vice- President of The Royal Society of Sculptors.<\/p>\n<p><\/p>\n<p><\/p>\n<p><a>SOLO EXHIBITIONS<\/a><\/p>\n<p>2021\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Salvia Corrupted<\/em>, Lewes Castle, Lewes, Sussex, UK<\/p>\n<p><\/p>\n<p><\/p>\n<p>2019\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Janus <\/em>Said Business School, University of Oxford<\/p>\n<p><\/p>\n<p><\/p>\n<p>2018\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>English Wheel,<\/em> Angelis Gallery,\u00a0 Winchester College, Kingsgate Street, Winchester, Hamps.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2017\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Sculpture at Ham Cottage<\/em>, Highbrook, Sussex.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2016\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Make-Shift<\/em>, William Benington Gallery, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Stripping the Willow<\/em>, The Lobby, One Canada Square, Canary Wharf, London. Curated by Ann Elliott.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>The Island<\/em>, William Benington Gallery, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Tied Up<\/em>, Chelsea Arts Club Garden,\u00a0 London.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2013 \u00a0\u00a0\u00a0\u00a0\u00a0<em>Wrestling Pythons<\/em>, Leighton House Museum, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Julian Wild<\/em>, Modern Art Oxford, Oxford presented by The China Shop Gallery.<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Fear of Geometry<\/em>, Maddox Arts, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>To Market, to Market<\/em>, Bishops Square, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Incomplete Systems<\/em>, Burghley House, Stamford, Lincolnshire<\/p>\n<p><\/p>\n<p><\/p>\n<p>2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Toad in the Hole<\/em>, The Hospital Club, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Bog Standard<\/em>, Atrium Gallery, PricewaterhouseCoopers, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>SELECTED GROUP EXHIBITIONS<\/p>\n<p>2023 \u00a0 \u00a0 \u00a0 \u00a0<em>Ruin,<\/em>\u00a0Way Out East Gallery, London. Curated By Richard Roberts<\/p>\n<p>2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Forms and Figures<\/em>. Ann Norton Sculpture Garden, West Palm Beach, Florida USA<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Sculpture at Farleys<\/em>, former home of Roland Penrose and Lee Miller, East Sussex.<\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>In Nature<\/em>, Secret Garden, Brighton, East Sussex.\u00a0Exhibition with Kenneth Armitage, Wendy Taylor and Will Nash<\/p>\n<p>2022\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Ruin,<\/em> Poola Gallery, Pula, Croatia. Curated By Richard Roberts<\/p>\n<p><\/p>\n<p><\/p>\n<p>2019 \u00a0 \u00a0 \u00a0 \u00a0 Contemporary <em>Sculpture \u00a0Fulmer<\/em>. WBG Projects<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Speed of Thought,<\/em> Newington Gallery London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2018\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Contemporary <em>Sculpture \u00a0Fulmer<\/em>. WBG Projects<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Inspired by Nature<\/em>, Grizedale Forest, Cumbria<\/p>\n<p><\/p>\n<p><\/p>\n<p>2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Contemporary Sculpture at Fulmer<\/em>. WBG Projects<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shoreham Sculpture trail<\/p>\n<p><\/p>\n<p><\/p>\n<p>2016\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0<em>The Collective<\/em>, House of St. Barnabus, Greek Street, Soho, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Kaleidescope,<\/em> curated By Dominic Beattie, Fold Gallery,\u00a0 London.<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Flat Art,<\/em> William Benington Gallery, London.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2015 \u00a0 \u00a0 \u00a0 \u00a0<em>Silent Movies<\/em>. Curated by Vanya Balogh &amp; Cedric christie. Cavendish Sq, London.<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em>Sculptural.<\/em> Co-curated with William Benington Gallery.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2014 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em>Beyond Limits<\/em>, Chatsworth House\/ Sothebys, Derbyshire, UK<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Sculpture in the City<\/em>, London.<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>House of the Flying Wheel<\/em>, Backlit, Nottingham<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Elemental,<\/em> Burghley House, Stamford, Lincolnshire<\/p>\n<p><\/p>\n<p><\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Iron and Steel<\/em>, Hillsboro Fine Art, Dublin<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Crash Open<\/em>, Charlie Dutton Gallery, London\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Objectify<\/em>, High House Gallery, Oxfordshire.<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Sculptura<\/em>l, William Benington Gallery, Devon.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2012 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em>Carving from 1910 to Now<\/em>, Fine Art Society, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Pertaining to Things Natural<\/em>, The Chelsea Physic Garden, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Sculpture al Fresco,<\/em> curated by Marcelle Joseph , Great Fosters, Surrey<\/p>\n<p><\/p>\n<p><\/p>\n<p>2011 <em>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0Cabinet<\/em>, John Martin Gallery, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Abstract,<\/em> Maddox Arts, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Flaming July<\/em>, curated by Brooke McGowan and Liane Lang, Leighton House, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Occidental Dimension<\/em>, curated by Marek Tobolewski, University of Brighton Gallery<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0 \u00a0<em>RHA Annual<\/em>, Dublin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Sculpture at Woburn<\/em>, Woburn Abbey, Bedfordshire<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>2 <sup>1\/2 <\/sup>D<\/em>, curatorial project, Royal British Society of Sculptors, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>RHA Annual<\/em>, Dublin\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>2008\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Wharf Road Project<\/em>, Tom Rowland Fine Art, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Summer Show<\/em>, Maddox Arts, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Make Do<\/em>, show with Owen Bullett, V22, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Clay<\/em>, Royal British Society of Sculptors, London\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>2007\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Monochromed 2: White Out<\/em>, Fine Art Society, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Spectrum<\/em>, Abbey House Gardens, Malmesbury, Wiltshire<\/p>\n<p><\/p>\n<p><\/p>\n<p>2006 \u00a0 \u00a0 \u00a0 \u00a0<em>Contemporary Sculpture<\/em>, Rollo, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2005 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Sculpture in the Making<\/em>, Atkinson Gallery, Millfield School, Street, Somerset<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Jerwood Sculpture Prize<\/em>, Jerwood Space, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Boundless<\/em>, Stenersenmuseet, Oslo, Norway<\/p>\n<p><\/p>\n<p><\/p>\n<p>2004 \u00a0 \u00a0 \u00a0 \u00a0<em>Model Village<\/em>, co-curated with Alex Roberts, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Trion Contemporary<\/em>, Arndean Gallery, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Lost Landscapes<\/em>, Seven Seven Gallery, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<em>Stealth<\/em>, MOT, London<\/p>\n<p>1983 \u00a0 \u00a0 \u00a0 \u00a0The Gallery, Take Hart, BBC TV\u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>PUBLIC ART\/ COMMISSIONS<\/p>\n<p><\/p>\n<p><\/p>\n<p><a>2020 \u00a0 \u00a0 \u00a0 \u00a0 <em>Fear of Geometry<\/em> (Wallflower) for Lightbox collection, Woking, UK<\/a><\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>ScribbleForm<\/em>, large scale outdoor commission for Canary Wharf\u00a0 Group.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2019 \u00a0 \u00a0 \u00a0 \u00a0 Stripping The Willow (Gathering), outdoor commission for Cate Blanchet.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2018 \u00a0 \u00a0 \u00a0 \u00a0\u00a0<em>Indeterminate System<\/em>,\u00a0 Sir Geaorge Iacobescu, CEO Canary Wharf Group.<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>System no.32<\/em>\u00a0 Private garden commission, Ealing, London.<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Roll Down<\/em>. Wall work for Soho House, Greek Street, London.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2017\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Weave <\/em>\u00a0Modern Forms collection, Berkshire.<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Origin,<\/em> Li Ka Shing Center for Health Information &amp; Discovery, University of Oxford, UK<\/p>\n<p><\/p>\n<p><\/p>\n<p>2016\u00a0\u00a0\u00a0\u00a0 Public Art Commission, Kyoto, Japan. <em>System no.32,<\/em><\/p>\n<p><\/p>\n<p><\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Connect 10<\/em>, Museums at Night, Enginuity, Ironbridge, Telford.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2013 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fidelity Investments, <em>Himalayan Balsam<\/em> commissioned for Canon Street.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lord Baden-Powell,<em>\u00a0 Ragwort, <\/em>commission for garden<\/p>\n<p><\/p>\n<p><\/p>\n<p>2012 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fidelity Investments, <em>Doodleform<\/em> commission for Surrey offices<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Lord Baden-Powell,<em> Wallflower<\/em> commission for garden<\/p>\n<p><\/p>\n<p><\/p>\n<p>2011 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Fidelity Investments, <em>Speaking in Tongues<\/em> commission for Hong Kong offices<\/p>\n<p><\/p>\n<p><\/p>\n<p>2009 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Sculpture in the Parklands,<\/em> Lough Boora Parklands, Ireland, <em>System no. 30<\/em> commission<\/p>\n<p><\/p>\n<p><\/p>\n<p>2008\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jerwood Sculpture Park, <em>System no. 24<\/em> commission<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Radley College, <em>System no. 25<\/em> commission and residency<\/p>\n<p><\/p>\n<p><\/p>\n<p>2007 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cass Sculpture Foundation, <em>System no. 19<\/em> commission<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Wyeth Europa, <em>System no. 21<\/em> commission for reception<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Schroders Investment Management, <em>System no. 20<\/em> commission for reception<\/p>\n<p><\/p>\n<p><\/p>\n<p>2006 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Crest Nicholson, <em>System no.12<\/em> commission\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>2003\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 National Institute for Medical Research, <em>Growth<\/em> commission \u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>Making the Connection Communal Sculpture Project<\/p>\n<p><\/p>\n<p><\/p>\n<p>2014 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Museum of Modern Art, Dublin, Ireland.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2013 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Ludlow Open, Cass Sculpture Foundation, Dalston Square<\/p>\n<p><\/p>\n<p><\/p>\n<p>2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Yorkshire Sculpture Park, Bold Tendencies, Leighton House Museum, The Secret Garden Party, Bishops \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Square, Dalston Square and The Bridge Academy<\/p>\n<p><\/p>\n<p><\/p>\n<p>2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Burghley House and Morley College<\/p>\n<p><\/p>\n<p><\/p>\n<p>2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jerwood Sculpture Park, The Tabernacle Arts Centre and Village Green Biannual<\/p>\n<p><\/p>\n<p><\/p>\n<p>2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Victoria and Albert Museum and The Big Draw<\/p>\n<p><\/p>\n<p><\/p>\n<p>AWARDS\/PRIZES<\/p>\n<p><\/p>\n<p><\/p>\n<p>2017-18\u00a0 Artist in Residence, Winchester College, Wiltshire, UK<\/p>\n<p><\/p>\n<p><\/p>\n<p>2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shortlist for Marsh Award for Excellence in Public Art<\/p>\n<p><\/p>\n<p><\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cill Rialaig Residency, Kerry Ireland<\/p>\n<p><\/p>\n<p><\/p>\n<p>2012 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0Nominated for a Bryan Robertson Memorial Trust Award<\/p>\n<p><\/p>\n<p><\/p>\n<p>2011\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Arts Council grant for <em>Construction Systems and Indeterminate 3D forms<\/em><\/p>\n<p><\/p>\n<p><\/p>\n<p>2010\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Finalist for National Art Prize, Saatchi Gallery<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Shortlisted for HTC Art Award<\/p>\n<p><\/p>\n<p><\/p>\n<p>2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Royal Borough of Kensington and Chelsea\/ Chelsea Arts Club Trust Studio Bursary\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Millfield Sculpture Prize: winner<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Jerwood Sculpture Prize: finalist<\/p>\n<p><\/p>\n<p><\/p>\n<p>SYMPOSIUMS\/ discussions<\/p>\n<p><\/p>\n<p><\/p>\n<p>2018\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Chair for \u2018 Sculpture and Photography\u2019 panel Discussion with Melissa Hamnett, Curator of \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Sculpture at the Victoria &amp; Albert Museum, Katey Goodwin, Deputy Director Art UK, , Anne-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Katrin Purkiss, independent photographer.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2015\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Out in the open<\/em> &#8211; The phenomenon of the UK sculpture Park and it&#8217;s relevance<\/p>\n<p><\/p>\n<p><\/p>\n<p>2014\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>S<\/em><em>culpture in the City<\/em> debate on Public art and the Smart phone.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2012\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In conversation with James Attlee, Modern Art Oxford, Oxford<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>To Market, to Market<\/em> talk hosted by Love Art London, Bishops Square, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In conversation with Alma Zevi, hosted by Abstract Critical, Bishops Square, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2010\u201311\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Chair of exhibition committee at Royal British Society of Sculptors, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2011 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 In conversation with Matt Ager, hosted by ArtisJustaWord, Ashmoleon Museum, Oxford<\/p>\n<p><\/p>\n<p><\/p>\n<p>2009\u201313\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Director of FACK artists\u2019 forum, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2009 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Chair for<em> 2 <sup>1\/2 <\/sup>D\u00a0 <\/em>panel discussion, Royal British Society of Sculptors, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Commissioning sculpture<\/em> panel discussion, Jerwood Space, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>2005\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 <em>Sculpting a living<\/em> seminar, Royal British Society of Sculptors, London<\/p>\n<p><\/p>\n<p><\/p>\n<p>LECTURING<\/p>\n<p><\/p>\n<p><\/p>\n<p>2016-\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 THE ART ACADEMY- Sculpture\u00a0 Diploma Pathway Leader \/ Fine art Lecturer<\/p>\n<p><\/p>\n<p><\/p>\n<p>2011- 2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MORLEY COLLEGE- Art Foundation. 3D lecturer.<\/p>\n<p><\/p>\n<p><\/p>\n<p>1997- 2017\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 MORLEY COLLEGE- Sculpture lecturer. Exploring Sculpture.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2014:\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Loughborough University- Visiting lecturer.<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 London Sculpture workshop- course tutor.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2012- 2013\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 NORWICH UNIVERSITY COLLEGE OF THE ARTS- lecturer for public art project.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2009\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 KINGSTON UNIVERSITY- Visiting lecturer.\u00a0\u00a0\u00a0\u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 SWANSEA METROPOLITAN UNIVERSITY- Visiting lecturer.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2008\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 LAMBETH COLLEGE- BTEC National Diploma, Art. Sculpture project tutor<\/p>\n<p><\/p>\n<p><\/p>\n<p>2007\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 UNIVERSITY OF HERTFORDSHIRE- lecturer, product design.<\/p>\n<p><\/p>\n<p><\/p>\n<p>2004\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 RUSKIN SCHOOL OF FINE ART AND DRAWING- visiting lecturer.<\/p>\n<p><\/p>\n<p><\/p>\n<p>EDUCATION<\/p>\n<p><\/p>\n<p><\/p>\n<p>1992-1995\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Kingston University, Surrey. B.A. in sculpture<\/p>\n<p><\/p>\n<p><\/p>\n<p>1991-1992.\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cheltenham Art College, Gloucestershire. Foundation course<\/p>\n<p><\/p>\n<p><\/p>\n<p>1986-1991\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 Cheltenham\u00a0 College, Gloucestershire\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0 \u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0\u00a0<\/p>\n<p><\/p>\n<p><\/p>\n<p>REVIEWS\/ ARTICLES<\/p>\n<p><\/p>\n<p><\/p>\n<p>Intelligent Life Magazine, City AM, Evening Standard, Wired, IDFX, The Independent, Architect, Builder, Contractor &amp; Developer Magazine, Aesthetica Magazine, The Times: review by John Russell Taylor, Artist Newsletter, Independent on Sunday: review by Charles Derwent, Building Design Magazine, Wallpaper<\/p>\n<p><\/p>\n<p><\/p>\n<p>COLLECTIONS<\/p>\n<p><\/p>\n<p><\/p>\n<p>The Jerwood Foundation,\u00a0 Canary Whaf Group, V22, Modern Forms, Schroders Investment Management , P&amp;O, Wyeth Europa, Prudential, Fidelity, Frank-Suss Collection, Soho House.<\/p>\n<p><\/p>\n<p><\/p>\n<p>PUBLICATIONS<\/p>\n<p><\/p>\n<p><\/p>\n<p><em>Origin<\/em> published by Systems publications<\/p>\n<p><\/p>\n<p><\/p>\n<p><em>Wrestling Pythons<\/em> published by Systems publications<\/p>\n<p><\/p>\n<p><\/p>\n<p><em>Incomplete Systems<\/em> published by Burghley House.<\/p>\n<p><\/p>\n<p><\/p>\n<p><em>New Commissions<\/em> Cass Sculpture Foundation.<\/p>\n<p><\/p>\n<p><\/p>\n<p><em>Jerwood, a Foundation<\/em> by Matthew Sturgis.<\/p>\n<p><\/p>\n<p><\/p>\n<p><em>Breaking the Mould<\/em> Cass Sculpture Foundation.<\/p>\n<p><\/p>\n<p><\/p>\n<p><em>Art in Public <\/em>published by Braun.<\/p>\n<p><\/p><\/div><\/div><\/div><\/div><div class = \"tatsu-column-bg-image-wrap\"><div class = \"tatsu-column-bg-image\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-column-overlay tatsu-animate-none\" ><\/div><\/div><style>.tatsu-row > .tatsu-hao89d4mxp7q6pxa.tatsu-column{width: 100%;}.tatsu-hao89d4mxp7q6pxa.tatsu-column > .tatsu-column-inner > .tatsu-column-overlay{mix-blend-mode: normal;}.tatsu-hao89d4mxp7q6pxa > .tatsu-column-inner > .tatsu-top-divider{z-index: 9999;}.tatsu-hao89d4mxp7q6pxa > .tatsu-column-inner > .tatsu-bottom-divider{z-index: 9999;}.tatsu-hao89d4mxp7q6pxa > .tatsu-column-inner > .tatsu-left-divider{z-index: 9999;}.tatsu-hao89d4mxp7q6pxa > .tatsu-column-inner > .tatsu-right-divider{z-index: 9999;}<\/style><\/div><\/div><\/div><\/div><div class=\"tatsu-section-background-wrap\"><div class = \"tatsu-section-background\" ><\/div><\/div><div class=\"tatsu-overlay tatsu-section-overlay\"><\/div><style>.tatsu-hao89d4mrp2sbr47 .tatsu-section-pad{padding: 90px 0px 90px 0px;}.tatsu-hao89d4mrp2sbr47 > .tatsu-bottom-divider{z-index: 9999;}.tatsu-hao89d4mrp2sbr47 > .tatsu-top-divider{z-index: 9999;}.tatsu-hao89d4mrp2sbr47 .tatsu-section-overlay{mix-blend-mode: normal;}<\/style><\/div>","protected":false},"excerpt":{"rendered":"<p><a href=\"https:\/\/julianwild.com\/cv\/\" class=\"more-link style1-button\">Read More<\/a><\/p>","protected":false},"author":2,"featured_media":0,"parent":0,"menu_order":0,"comment_status":"closed","ping_status":"closed","template":"","meta":{"footnotes":""},"_links":{"self":[{"href":"https:\/\/julianwild.com\/wp-json\/wp\/v2\/pages\/4300"}],"collection":[{"href":"https:\/\/julianwild.com\/wp-json\/wp\/v2\/pages"}],"about":[{"href":"https:\/\/julianwild.com\/wp-json\/wp\/v2\/types\/page"}],"author":[{"embeddable":true,"href":"https:\/\/julianwild.com\/wp-json\/wp\/v2\/users\/2"}],"replies":[{"embeddable":true,"href":"https:\/\/julianwild.com\/wp-json\/wp\/v2\/comments?post=4300"}],"version-history":[{"count":3,"href":"https:\/\/julianwild.com\/wp-json\/wp\/v2\/pages\/4300\/revisions"}],"predecessor-version":[{"id":5114,"href":"https:\/\/julianwild.com\/wp-json\/wp\/v2\/pages\/4300\/revisions\/5114"}],"wp:attachment":[{"href":"https:\/\/julianwild.com\/wp-json\/wp\/v2\/media?parent=4300"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}